Homeric Atlas

Episodes

How firmly it can be located

Iliad· 5

  • Chryse and the plague
    Iliad 1.8–1009/12Medium

    The Iliad opens with a local dispute over a captive woman from a nearby coastal town — and with nine days of arrows from Apollo.

    1 · Competing theories · 9/12

  • The Catalogue of Ships
    Iliad 2.484–76010/12High

    Two hundred and seventy lines listing twenty-nine contingents, their commanders, their ship counts and their towns. It is the single densest piece of geography in Greek literature and the backbone of this atlas.

    2 · Competing theories · 10/12

  • The Achaean camp and the wall
    Iliad 7.436–4418/12Medium

    The Iliad's second setting: a beach of drawn-up ships, a ditch, a wall with gates, and the ground between it and the city where almost all the fighting happens.

    1 · Competing theories · 8/12

  • Achilles and Hector
    Iliad 22.131–16610/12High

    Three circuits of the city at a run, past the springs where the women of Troy used to wash — the most topographically specific action scene in Greek epic.

    1 · Competing theories · 10/12

  • Priam's ransom
    Iliad 24.322–4679/12Medium

    An old king crosses the plain at night with a wagon of treasure to ask the man who killed his son for the body. The Iliad ends here, and so does its geography.

    1 · Competing theories · 9/12

Odyssey· 19

  • Telemachus at Pylos
    Odyssey 3.1–48512/12High

    A young man arrives by ship at a sacrificing shore, is fed before he is questioned, and hears an old king talk. It is the most ordinary episode in the Odyssey and the easiest to place.

    1 · Competing theories · 12/12

  • Telemachus in Sparta
    Odyssey 4.1–30511/12High

    The strangest domestic scene in Homer: Helen, back in her husband's house, drugs the wine so the company can talk about Troy without weeping.

    1 · Competing theories · 11/12

  • Menelaus and Proteus at Pharos
    Odyssey 4.351–5868/12Medium

    Becalmed off Egypt, Menelaus ambushes a shape-shifting god to ask the way home — and gets, instead, the news that his brother has been murdered.

    1 · Competing theories · 8/12

  • The murder of Agamemnon
    Odyssey 4.512–5379/12Medium

    The Odyssey's counter-example: the homecoming that goes wrong. Agamemnon reaches his own country and is killed at dinner, and the story shadows Odysseus' return from Book 1 onward.

    2 · Competing theories · 9/12

  • The ambush at Asteris
    Odyssey 4.842–8475/12Low

    Twenty suitors take a ship and wait in a strait for Telemachus to sail home. Six lines of text, one named islet, and an identification that has failed for two thousand years.

    1 · Competing theories · 5/12

  • Calypso and the island of Ogygia
    Odyssey 5.55–2812/12Minimal

    Seven years of the ten are spent here, and the poem spends them almost entirely off-stage. When the Odyssey finally opens on Ogygia in Book 5, it gives a lush description and no coordinates.

    2 · Competing theories · 2/12

  • The Phaeacians on Scheria
    Odyssey 6.1–3315/12Low

    Odysseus washes ashore naked and is found by a princess doing laundry. What follows is the most civilised sequence in the poem — and the last place he visits before home.

    1 · Competing theories · 5/12

  • The wooden horse and the fall of Troy
    Odyssey 8.499–5207/12Medium

    The best-known episode of the war is not narrated in either poem: the Odyssey has a bard sing it in twenty lines. Its location is the most secure in the atlas, and its historicity the least.

    2 · Competing theories · 7/12

  • The Cicones at Ismarus
    Odyssey 9.39–619/12Medium

    The last piece of ordinary history in the Odyssey. Odysseus leaves Troy, sacks a Thracian town, loses seventy-two men to a counter-attack, and then the wind takes over.

    1 · Competing theories · 9/12

  • The Lotus-eaters
    Odyssey 9.82–1046/12Medium

    Twenty-three lines, no violence, and the most quietly frightening danger in the poem: a fruit that makes men stop wanting to go home.

    1 · Competing theories · 6/12

  • The Cyclops Polyphemus
    Odyssey 9.105–5665/12Low

    The most famous episode in Homer and one of the least locatable. Odysseus loses six men, blinds a giant, escapes under a ram, and then shouts his own name — which is what costs him ten years.

    2 · Competing theories · 5/12

  • Aeolus and the bag of winds
    Odyssey 10.1–793/12Low

    The cruellest episode in the poem: Ithaca is in sight, the crew open the bag their captain has guarded for nine days, and the winds blow them all the way back.

    1 · Competing theories · 3/12

  • The Laestrygonians
    Odyssey 10.80–1326/12Medium

    Eleven ships lost in a single harbour. The most precisely described anchorage in the Odyssey is also its deadliest, and nobody can prove where it is.

    2 · Competing theories · 6/12

  • Circe on Aeaea
    Odyssey 10.133–5745/12Low

    A year on an island with a goddess who turns men into pigs, and the only host in the wanderings who sends Odysseus on with instructions instead of injuries.

    1 · Competing theories · 5/12

  • Book 11 sends Odysseus to the edge of the world to consult the prophet Tiresias. It is the one journey in the poem with detailed directions and no possible destination.

    2 · Competing theories · 3/12

  • The Sirens
    Odyssey 12.165–2004/12Low

    The one danger Odysseus survives by planning: wax in the crew's ears, his own body lashed to the mast, and the song heard by a man who cannot act on it.

    1 · Competing theories · 4/12

  • Scylla and Charybdis
    Odyssey 12.201–2598/12Medium

    A choice between losing six men and losing everyone. It is the only hazard in the wanderings whose physical behaviour matches a real place.

    1 · Competing theories · 8/12

  • The cattle of the Sun
    Odyssey 12.260–4026/12Medium

    The crew's last mistake. Warned twice by name, trapped a month by contrary winds and starving, they kill the Sun's immortal cattle while their captain sleeps.

    1 · Competing theories · 6/12

  • The Phaeacians sail Odysseus home asleep and leave him on his own shore with his treasure. The poem describes the landing place in unusual topographical detail — two headlands, an olive tree, a cave of the nymphs.

    2 · Competing theories · 8/12